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Feature article about confidence through singing.
FLARE Magazine / July 1995
When I was seven, my grade
two classmates and I were encouraged to get up in front of the group to
"sing a little something." When my turn came, I was so petrified I just
stood there. My worst nightmare came true - I couldn't make a sound. I
sat down in humiliation. The next week, the whole class groaned when I
stood up to "sing." But when the song finally burst forth, the hard-earned
applause was as magnificent as if I had been Maria Callas singing Madame
Butterfly to a sold-out crowd at the Paris Opera. I'm sure I grew a foot
that day.
Although I didn't know it
at the time, in my childish wisdom I had found one of the best ways to
make myself feel good - about life, and about myself. Simply, singing.
Singing seems to help us get in tune with ourselves - whether we do it
in a crowd, in a stadium, or on a mountaintop. Who could forget the image
of Julie Andrews joyously belting it out over the hills of Salzburg? Did
she look like a woman with a self-esteem problem? Singing is a simple,
exuberant way to feel larger than life.
Building confidence is precisely
what Art Nefsky had in mind when he started Showoffs Studio eight years
ago. Showoffs is a singing workshop aimed at helping participants overcome
fear and self-consciousness by singing in front of others. "People empower
themselves here," says Nefsky. "And they have fun. They learn to laugh.
What I do isn't therapy but it sure is therapeutic." Toronto psychotherapist
Diana Donald couldn't agree more. She joined Nefsky's studio to build her
own confidence-and now recommends it to all her clients. "Singing is great
for people who need to express themselves.For those who need to find their
voice and let it out."
And that's not all. Besides
helping us bond with ourselves, it seems singing also helps us forge stronger
ties with others. According to Dr. Linda Rammage, a Vancouver speech pathologist
who also sings with a small madrigal group, people who are unable to express
themselves emotionally through speech can sometimes communicate through
singing. Bruce Pullan, a singer, conductor, music teacher and president
of The Vancouver Academy of Music, agrees. "Singing is like embracing somebody,"
he says. "It's a way of expressing how you feel without the psychiatrist's
couch. When we gather around a piano, something very important happens;
it's an acceptance of other people, other voices."
Singing is also a great way
to relieve stress. As Gillian Wilder, manager of the Vancouver Bach Choir,
so aptly observes; "Singing in the shower is better than screaming in the
basement." She recalls an afternoon when her young son, watching painters
at work in their home, kicked over a large bucket, spilling paint all over
the living room. Says Wilder: "When I sang with the choir that night, I
felt a wonderful release of tension. I had miraculously succeeded in getting
away from it all."
OK, so maybe it wasn't a
miracle. But in case you think I'm making all of this up, I have got proof-of
a cold, hard, scientific nature. According to Dave Loyst, a Toronto registered
music therapist, the deep breathing necessary in song increases the intake
and delivery of oxygen to the lungs and to the blood. That's why singing
is sometimes used to help burn victims overcome lung damage at the Shriners
Burns Institute in Galveston, Texas.
But despite all its benefits,
we don't seem to sing as much as we used to. It came so instinctively as
children: we sang to ourselves on the way home from school, we sang with
friends as we jumped rope. What happened? "The purpose is to have fun,"
says Nefsky. And to feel better about yourself while doing it.
"If what I do is medicine,
it's the best over-the-counter drug you can buy."
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